Lesson 10: DEMONSTRATION

• Like role-playing and pantomime of the dramatized experience, demonstration is also something very handy. It requires no elaborate preparation and yet as effective as the other instructional materials when done properly.
• In Webster’s International Dictionary, it is define as, “A public showing emphasizing the salient merits, utility, efficiency, etc, of an article or product.” In teaching it is showing how thing is done and emphasizing of the salient merits, utility and efficiency of a concept, a method or a process or an attitude.

GUIDING PRINCIPLES (EDGAR DALE 1969)

Establish rapport

• Greet your audience.
• Make them feel at ease by your warmth and sincerity.
• Stimulate their interest by making your demonstration and yourself interesting.
• Sustain their attention.

Avoid COIK fallacy (Clear Only If Known)

• Fallacy is the assumption that what is clear to the expert demonstrator is also clearly known to the person for whom the message is intended.
• To avoid the fallacy, it is best for the expert demonstrator to assume that his audience knows nothing or a little about what he is intending to demonstrate for him to be very thorough, clear detailed in his demonstration even to a point of facing the risk of being repetitive.

PLANNING AND PREPARING FOR DEMONSTRATION-BROWN (1969)

• What are our objectives?
• How does your class stand with respect to these objectives. This is to determine entry knowledge and skills of your students.
• Is there a better way to achieve your ends? If there is a more effective way to attain your purpose, then replace the demonstration method with the more effective one.
• Do you have access to all the necessary materials and equipment to make the demonstration? Have a checklist of necessary equipment and material. This may include written materials.
• Are you familiar with the sequence and content of the purposed demonstration? Outline the steps and rehearse your demonstration.
• Are the time limits realistic?

Point to Observe in the Demonstration-Dale (1969)

• Set the tone for good communication. Get and keep your audience’s interest.
• Keep your demonstration simple.
• Do not wander from main ideas.
• Check to see that your demonstration is being understood. Watch your audience for signs of bewilderment, boredom, or disagreement.
• Do not hurry your demonstration. Asking questions to check understanding can serve as a “brake”.
• Do not drag out demonstration. Interesting things are never dragged out. They create their own tempo.
• Summarize as you go along and provide a concluding summary. Use chalkboard, the overhead projector, charts diagrams, PowerPoint and whatever other materials are appropriate to synthesize your demonstration.
• Hand out written materials at the conclusion.

Questions to Evaluate Classroom Demonstration (Dale 1969)

• Was your demonstration adequately and skillfully prepared? Did you select demonstrable skills or ideas? Were the desired behavioral outcomes clear?
• Did you follow the step-by-step plan? Did you make use of additional material appropriate to your purposes- chalkboard, felt board, pictures, charts, diagrams, models, overhead transparencies, or slides?
• Was the demonstration itself correct? Was your explanation simple enough so that most of the students understood it easily?
• Did you keep checking to see that all your students were concentrating on what you were doing?
• Could every person see and hear? If a skill was demonstrated for imitation, was it presented from the physical point of view of the learner?
• Did you held students do their own generalizing?
• Did you take enough time to demonstrate the key points?
• Did you review and summarize the key points?
• Did your students participate in what you were doing by asking thoughtful questions at the appropriate time?
• Did your evaluation of student learning indicate that your demonstration achieved its purpose?

Actual Conduct of Demonstration

• Get and sustain the interest of the audience
• Keep the demonstration simple, focused and clear
• Do not hurry nor drag out the demonstration
• Check for understanding in the process of demonstration
• Conclude with a summary
• Hand out written material at the end of the demonstration

"Good Demonstration is an audio-visual presentation. It is not enough that the teacher talks. To be effective, his/her demonstration must be accompanied by some visuals."

Lesson 9: Dramatized Experience

Dramatic- is something that is stirring, affecting, or moving.

Dramatic entrance- is something that catches and holds attention, and has emotional impacts.

Dramatized Experiences can be range from:

Formal Plays

    Depict life, character, culture, or a combination of the three. They offer excellent opportunities to portray vividly important ideas about life.

Pageants

    Are usually community dramas that are based on local history. An example is a historical pageant that traces the growth of a school.

Pantomime

    Is an art of conveying a story through bodily movements. The effects of pantomime to the audience depend on the movements of the actors.

Tableau

    A picture-like scene composed of people against a background.

Role-playing

    An unrehearsed, unprepared, and spontaneous dramatization of a situation where assigned participants are absorbed by their own roles.

Puppets

    An inanimate object or representational figure animated or manipulated by an entertainer, who is called a Puppeteer. Puppets can present ideas with extreme simplicity.

Types of Puppets

Shadow puppet

    Flat, black, silhouette made from lightweight cardboard shown behind a screen.

Rod puppets
    Flat, cut figures tacked to a stick with one or more movable parts, and are operated below the stage through wires and rods.

Glove-and-finger puppets
    Make use of gloves which small costumed figures are attached.

Marionettes
    Flexible, jointed puppets operated by strings or wires attached to a cross bar and maneuvered from directly above the stage.